I finally learned to tablet weave last night - nice simple design. I’ve found a number of them, but my favorite is the ones by Eqos on Deviant art… Here they are, because it’s hard to find them all in her gallery. Now, i’d totally suggest going here http://eqos.deviantart.com/ and going through her galleries cos she’s got tons of goodies :D
Sometimes, people are like me – I can’t make something decent looking without some kind of pattern. You should see my sideless surcotes… And I had help with those…
Now, if you’ve got Margo Anderson, Lynn McMasters, Period Patterns, Reconstructing History Patterns, AlterYears patterns, patterns sold at http://www.patternsoftime.com (there’s some good ones here I can’t find the actual manufacturer’s name) or Mantua Maker Patterns, You’re in pretty good shape. Most of their patterns are really good ones, and mostly historically accurate.
For those out there that are like me and mostly broke so you can’t afford the really good patterns, or just starting out making garb and eventually want to draft your own, here’s a bit of pattern critique for you, and ways of making the pattern at least moderately historically accurate if it’s not close already. These patterns are all from Burda, Simplicity, McCalls, or Butterick.
Simplicity Pattern 2589 – The dress and Pattern 2621 – the Underpinnings.
I’ve got this one for starting. It’s pretty damned close to historically accurate – i’ve got some other plans for fabrics for the dress, and the chemise from 2621 is hard to fit correctly, but it’s beautiful. I made a different style of hood, more softly curved because it looks better on me, but even the hood is pretty accurate – most ladies would have had only 1 hood in either black, or possibly white, that they used with all of their outfits, rather than making a bunch of french hoods to match. I’d suggest, on the corset, rather than sewing on the tabs, making them part of the main peices so if you want to bone them and make them work for their real purpose (helping to support the farthingale), you don’t have to fight with unneccesary seams. Also, to make the straps work with the dress, you’ll have to fuss and fidget with them.
Pattern the Second
Simplicity pattern 3782.
More of an Elizabethan than Tudor, but the sleeves have got to be altered – most Elizabethan dresses have much more fabric in the sleeves than this does. I’m pretty sure this’ll work over pattern 2621, but I’ve never found this in a size that would be easy to scale up for me, being a 50-40-50 and most patterns stopping at 40-30-40 (really annoying, because i like the red dress in this pattern), so I don’t know for sure. Other than the sleeves, and the fact that it’s totally not ornate enough to be Elizabethan, it’s a good start.
Pattern the Third
Simplicity pattern 3809
the green skirt would work. The bodice, if you want that style, would work okay. You’d really be better off attaching the skirt to the bodice, but it would work. The chemise? Oh, Hell No. The sleeves might be okay, but the neckline? in the era that this was supposedly styled after, the neckline wouldn’t be gathered with string. It would have been gathered to a band. Unless you’re doing italian ren, then it might be okay. But make it so it’s not gathered to an elastic band, or with string, and make it gathered to a rectangular peice and it might be okay.
Pattern the Fourth
Simplicity pattern 5582
Again, the bodice would work for a commoner. So would the skirt, but the skirt’s not full enough to be for anyone with money – The more money you had, the more fabric you could afford in your skirts. The chemise is yet another Oh, Hell No. Using the right fabric, (mostly linen and wool) this would make a good start into a commoners wear, especially for camping in the SCA.
Pattern the Sixth
Simplicity Pattern 5359
The main view of this pattern – vest, skirt, cincher, pants – is reasonably accurate for a Gypsy type (from what I’ve been told) – The skirt could be made with tons of different fabrics (as many as there are gores) and still be accurate. And the cincher is cool – just one piece of fabric, with boning in it, and it’s all cute and stuff
Pattern the Seventh
Simplicity pattern 3623
So they call this a scottish dress. PFFT. Make the bodice and skirt out of the same material. Make the chemise floor length and kind of dressy. Then make the front so it ladder laces about an inch behind the front lines. And you have something VERY close to venetian Ren. Lose the hat, though. It’s pretty aweful, and there’s tutorials out there for the Tudor Flat Caps that’ll make the construction of this hat pattern look horribly difficult.
And now for the Men’s wear – Much less of this than women’s wear. Something about it being only women who dress in funny clothes? At least, according to the major pattern companies. Ugh. Totally not true – I have a friend that does German Landskenecht. And he’s flamboyant about it. It drives his wife crazy, so she made him figure out how to make it all on his own.
Men’s Pattern the First
Simplicity Pattern 4059p
Get rid of the hat. No, it’s aweful, get rid of it. Do NOT EVER USE IT! It’s terrible. The coat and jerkin are okay, as are the breeches. Do resist the urge to run out and buy boots for it, though. The undershirt – take off the collar. As it is, the collar is totally not acceptable. If you can make it into a stand-up collar do it, otherwise, make it so the collar doesn’t show out the top of the coat or jerkin.
The breeches would do better gathered into a very small cuff or bias tape, but it’s not necessary.
Men’s Pattern the Second
Simplicity Pattern 3519
Good – ish, for men’s wear. Don’t lace it up the front, though. Make ties straight across from each other and tie it closed if you want. Also resist the urge to put trim around the v of the neckline, unless it’s very narrow and you use it all the way around the neckline. Could be altered to have the correct stand-up collar very easily, I think. The yoke’s not exactly period, and you may have to trim down the size of the bottom of the shirt – it may be waaay too poufy to fit under a doublet.
Don’t just read this and make the patterns how I think they might work – Do research! RESEARCH is Key! This is a guide, not a definitive and comprehensive look. And really, if you like it, do it. Just be aware that you may get comments from some of the nastier people out there. I also don’t have all these patterns, nor have I made them all. I’ve seen the Gypsy pattern, and a friend thinks it’s close, but it’s not where my interests lie, so make sure you’ve done your own research and figured what you want out for yourself.
So, I use mostly portraits to research costuming – it makes it so I’m sure of how it probably looked (artistic license makes it impossible to know for sure), and it’s fun to make a dress in the style of my favorites.
Something I’ve been working on lately is fastening the dresses – being a SCAdian, and going to a lot of camping events being single – means either having to figure out how to fasten everything in the front, or run around the campsite yelling ‘Can someone lace me in?’ That would be fun, but I can imagine the remarks ‘How bout I unlace you’ would be the most PG 13 of all of them.
So I’m making my pair of bodies front-lacing, but that doesn’t help if I have to lace my dress up the back. You see a lot of Venetian ladies with front lacing dress, but very little about where and how the dresses of the Tudor era fasten. I believe that they laced up the front, and here’s my evidence.
If you look at the Study for the Portrait of the More Family, you’ll notice that some of the ladies show what looks like lacing in the front. These ladies were reasonably well-to-do, and would likely have had servants to help them dress, yet their dresses fastened in front?
The portraits of Mrs. Pemberton, Lady More, and Jane Seymore show what look like pinheads on the side of the front of their dresses – could this be a ‘stomacher’ panel pinned on one or both sides to cover up lacing? I believe so. Also, look at the sittow portrait of Katherine of Aragon – She’s got what looks like her chemise, then another undertype dress on that gaps at the top, then either a stomacher over it, or another dress. to keep the undertype dress closed to that point would have probably taken lacing.
So, I’m totally going to use front lacing, and a stomacher panel with hook-and-eye closing it on the side (which are period) to avoid poking myself with pins.
So, it’s been a couple busy weeks for me. Mostly because I started running and didn’t stop.
I did finish the embroidery I’d started a while ago for His Excellency, the Baron of Glymm Mere, well, a bit of it. I forgot to take a picture, but I’ll wait til after Urslemas when i get the tunic back to put more pretty’s on it.
I’ve also got a project I need to work on, for a snood type thingy for Her Excellency.
More tomorrow, and it’ll actually be about some things that are useful
So after two years of fighting an infection in her knee, my sister-in-law loses her leg tonight. It sucks how quickly that they gave up on her – it’s been the same damn thing for six months – a round of a Vancomycin, a week of being okay, a week of trying to get the doctor to listen to her about the infection coming back, another round of Vancomycin. It’s awful. And now she’s losing it.
But on an okay note, this weekend is the Glymm Mere 12th night Orphans day – we’re going to have an allthing and it should be fun – I’ll be working on the Baron’s tunic embroidery, and planning a set of blackworked (only done in pink and blue with ribbons and slash and pouf) Venetian Courtesan bloomers I’m super excited!